When I first got into the graphics field, we didn’t call it “graphic design,” we called it “commercial art” because back then, the technology was a tool to express the design; one went to art school which would just as readily teach oil painting and sculpture as it would teach advertising psychology and photo retouching. Today’s graphic artists are technological wunderkinds but their training and experience rarely venture into artistic layout, balance, typography, and other elements of design that would make an project a powerful and successful one. Truly, there is no school like the old school.
And that is what I bring to the table with my designs. Most of the projects I work on these days are publications and books; laying out page after page of text with illustrations and eye-catching covers. Every bit of my training and decades of experience are poured into each and every one and I will bring that expertise to bear on your project be it a novel, a periodic magazine, advertising campaign, package design or…whatever it is you may need.
Another shift in the paradigm of the design field is the easy use of the internet. Once I would have to meet with a client across a conference table and map out all of the details of a proposed project and then have them return to see mocked-up proofs. Today everything is digital. I have many clients that I’ve never met face to face who rely on me to meet their deadlines and produce award-winning work for their businesses, events and publications.
Today I specialize in book layouts and design. As an author, I have done the design work, illustration and print preparation for each of my titles and I’ve been taking on projects for other independent authors as well. With the greater availability for authors to self-publish and distribute their books, professional layout and design is imperative. So many publishing houses make it easy for writers to do their own layouts using templates for Microsoft Word which give them the most rudimentary of tools with equally rudimentary results but the cost of using the publisher to do the layout work can often be prohibitive. That’s where I come in.
I bring all my years of experience in design and printing. I design covers to be eye-catching to arrest the attention of book shoppers both on line and in brick-and-mortar book stores. The pages are laid out for the greatest readability and with a certain style that is consistent with the story. Photos and other illustrations are prepared and inserted with adjustments made for optimum printing results. I have hired models and photographers and even picked up a paint brush now and again to execute cover images with impact.
The phenomenon of self-publishing has grown so much, in fact, that I now teach seminars on preparing manuscripts, design and layout and even promotion strategies for writers who are anxious to get their work published. If you are a writer looking for a real, professional layout and design service to prepare your book for publishing (and don’t want to put yourself in the hands of an assembly-line publishing graphic artist), get in touch with me, I’ll be happy to answer your questions and you’ll find out it’s far more painless than it may seem.
For over twenty years I’ve been working with a few different titles of periodical magazines for a couple of different publishers. Typically, their writers would dump text files and photos on me (by deadline, hopefully) and my art direction would translate a sea of paper and computer files into high-quality, bullet-proof designs that go to press on time and without drama. These are the things that magazine publishers and their advertisers want and that is what I deliver.
Over the years, my magazine and periodical designs have garnered three Communicator Awards for excellence.
As the magazine business has ridden a pendulum that has swung toward the on-line web-based world and mostly abandoned the print world, that pendulum has swung back again and the magazines that I worked with rode it to keep up with the technology and the shifting styles that have resulted.
Many such magazines have started out as kitchen-table layout projects (maybe yours?) but today’s expectations are far higher and if you are a small-run publisher, particularly a “buff-book” publisher or club magazine, my services are precisely what you need. Not only do I handle the layout and design and all the art direction, but also work as liaison with printers and can help with contract negotiations when the need arises.
The ink-and-paper periodical industry is enjoying a resurgence. Is your publication ready to take advantage of that? Let’s talk.
Not every design job has pages and a spine, some are unique in many ways. One of the projects that have come into my studio from time to time are CD package designs. It’s sort of become a sort of sub-specialty around here. I’ve worked for a number of independent artists and various CD production companies and distribution companies. A design that I did a few years ago for a regular client was actually nominated for a Grammy Award for packaging design! No, we didn’t win, but he told me that an indie artist almost never gets nominated for anything, so this was really a pleasant surprise.
CD package design is much like book design, particularly the covers, as certain philosophies and design strategies apply to both. As with book cover designs, I have worked with photographers, models, original artwork (some of my own) and some pretty ambitious digital graphic treatments.
Independent musicians today are able to record themselves with some pretty sophisticated recording equipment that has become small, inexpensive and easy to use. Tracking their song mixes on a home computer with readily available software, today’s indie artist can produce a very professional-sounding album in their living rooms and basements. Shouldn’t the cover for that CD look just as professional? If you want to put as much into the image of your musical product as you have the music itself, you need to get in touch with me. Really.
In addition to the specialties that I work in, my studio is known as a “can-do” operation and so I have produced all sorts of projects: Trade show display booths, posters, packaging, point-of-purchase displays, logos, signs, graphics for apparel, vehicle wraps, etc., etc., etc.
Bottom line is, if you have anything that you need designed and you want it to look professional, to be effective and at a reasonable cost, drop me an e-mail. I’m happy to work up free estimates and even send you some larger, higher-resolution samples than these pixelated thumbnails on this page so that you can get a better look at what I can do for you. Let me hear from you.